Onslaught

Medieval Box Art?

It’s time for another nostalgic trip down memory lane, and I actually remember lifting this off the shop shelves. Initially, I was drawn to the captivating medieval artwork, particularly the lush colours that contrasted sharply with the brutal warriors poised to slaughter their enemies. This artwork perfectly encapsulated the savage gameplay that awaited. A happy memory. If you’re feeling brave, open the box and dare to play...

Onslaught, programmed by Chris Hinsley of Custodian fame, is a horizontally scrolling hack-and-slash platformer. It’s an exciting game where we unleash massive explosions upon everything in sight, beautifully illuminating the colourful backdrops and grungy medieval scenery. The music perfectly complements the theme, accompanied by hearty sound samples for grunts, booms and metallic weapon clangs. It sounds as good as it looks!

Regardless of the gorgeous aesthetics, this is a challenging platformer that demands practice, so persevere - or die. It's not easy, but Onslaught is exceptional with its vibrant colours, loud effects and challenging gameplay packed with brutal carnage. It’s one of my favourite Atari ST games, though I do use a (gulp) trainer. Here are the best download links, and a few screenshots to tantalize your taste buds...

• Download the floppies from Atari Legend.
• A hard drive version is available over at 8BitChip.

Monster Business

The demoscene does it again?

Monster Business is a fun-themed platformer released in 1991 by Eclipse and produced by incredibly talented people you may recognise from the ST scene. As storylines go, this one is a Christmas cracker!!

Crazed "mad meanies" have been loosed from their forest habitat and are pinching items from Bob's construction site. You are Leroy The Beast Buster who must help Bob blow up these cheeky invaders. This might sound like diarrhoea, but we should still help Bob - we are the only beast buster in Tin Town. Yep.

Fancy looking at the first screenshot? Here ya' go then...

Each level is big and uses smooth vertical scrolling to hunt down the freaky monsters!

Olde gameplay and it works!

Each level follows a familiar Bounty Bob design of platforms, slippy slopes, and chasing monsters. Be careful; they kill with one touch so I'm grateful that we carry an air pump weapon to inflate them for a bloated and cruel death. This is nothing short of hilarious; once they begin floating away, you can nudge them into oblivion, leaving behind their goodies. If you're lucky, they might drag along others for multiple killings.

The joystick controls are spritely and I like how there are two jump heights - this depends on how long you push upwards. Repeatably pressing the fire button activates the weapon to bloat the monsters - so I appreciated my autofire function. Two players are supported but not for co-op, which would have been superb.

Okay, let's view the next screenshot and this one has a fat chicken...

Blown the sucker up for a cruel, yet hilarious end to his life!

A pleasure for your eyes and ears!

Throughout, the graphics and backgrounds are nice using good colours and great decor. The scrolling is ultra-smooth, but it's the sprites that shine the most: I dare anybody not to laugh when seeing a ginormous duck waddle across the screen. I loved their expressions & bloated deaths. This is hilarious pixel art.

The audio is immensely impressive with a superlative range of lovely chiptunes by Laurens Tummers, aka Lotus! The sound effects are also great but even so, are completely overshadowed by the music!!

Yeah, it's gorgeous alright so let's see the final screenshot...

Taken from behind, check out his expression. This game is brilliant!!!

The CryptO'pinion?

Bloating animals is shockingly entertaining and I guarantee you will enjoy hunting your prey. However, it's repetitive which might reduce long-term enjoyment. I also thought the time limit was harsh. Monster Business is best with friends and I promise that everyone will be giggling like school kids. A superb game!!

Monster Business can be downloaded for floppy & hard drive.

Pure Energy #42

I love this Menu Disk! It was released by Pure Energy early in 1993 and has a gorgeous plasma whilst playing excellent chip music by Crawdaddy. The text might have a simplistic feel but did you notice anything a little different? Look closer... Do you see now?? Oh yea, pretty awesome, right? Anyhow, the disk features Centipede which is an excellent game.

Credits

B.F.G - Text

Crawdaddy - Music

Mick - Code

Sebastien Larnac

I thought it was about time for another interview on AtariCrypt, and who better than my mate Sebastien Larnac! He's better known as ST Survivor (STS), a name you will have seen credited in many wonderful Atari ST demos. Also, he's created other screens, such as images for programs like gwEm's STj and MaxYMiser.

Compared to many, he became an ST nutter late in the day. But it wasn't long before he was testing the waters of the demoscene with doodles and writing for diskmags. He's a modest dude, yet his hiSTory is more impressive than he realises!!

So, I had a bright idea to interview the dude behind those funky glasses to see what makes him tick. Some details I found quite surprising, but overall this is an extremely talented young gent, even if he is French (what?). Seriously, folks, take a gander at Demozoo to see his outstanding 16-colour art collection.

ST Survivor - The Interview

What’s your STory?

I received my Atari STe as a Christmas gift in 1990 and spent a couple of years copying games. Until one day one of my floppies was filled with something called a “demo”. What the heck was that? I instantly loved the idea behind it and got in touch with the creators (I phoned one of them!). I already doodled on paper, so why not on a computer? I joined NLC at a time when some people were leaving the demoscene (damn me, for being late!).

I worked on a GFA megademo (Back In France) with my friend Thyrex, who ran the French diskmag ToXic. I had the opportunity to make more pictures for various demo crews and took the position of the main editor of UnderCover Magascene. I also founded aLiVe! with CiH/Maggie Team and that’s it. I left the Atari Scene around 2003 because I was pi**ed off with life and finally got back to my second family somewhere around 2013.


Your favourite work?

It may sound silly but definitely, my best memory and true pride remain for our GFA megademo with Thyrex/NLC. It was started in 1994 as a multi-crew project, then, of course, everyone left and the two of us remained, wondering what we would do. Oddly it did not kill our motivation! Sure it took us another four years, and the final result was far from perfect, yet it is a demo made with a lot of passion and friendship.

Moving onto more recent artwork, I am very proud of the work we did on POOZ along with Cooper, Exocet and DmaSc. I personally think the game looks and plays like a true commercial game!

  
From scary to funky, Sebastien's style is always amazing.

Inspirations?

I am not inspired, graphics-wise, by anyone but me and this must be the reason why I know/feel that most people don’t like my art. Well, sorry folks, art is a matter of taste :) I truly admire people like Evil/DHS who have brought us so many great demos. I don’t admire but have a lot of respect for the friends I have worked with because -most of the time- it was a great opportunity to share ideas and artistic passion. I am still impressed by people like Niko, Mic, Prowler or Slayer, you know the kind of dark-inspired graphics ;)

For a very long time, I have been a fan of Niko with his tortured and highly detailed style. Now I see that most of his pictures were mostly copies of existing paintings, not that it takes away any of his pixel art qualities. Yet today I would rather admire people like Mic/Dune and Exocet who not only have a very specific style but can also work either with very limited palettes or with wider ones. Exocet is also very well known for painting on a lot of platforms, thumbs up! They are true artists who manage to bring art whatever the challenge they need to face.


Favourite demo?

I've had my Atari STe since 1990 so I have never been either fond of or familiar with what the early years produced. Sorry guys, but I’m not in love with demos from the 1980s. In the nineties, demos started showing technique AND style and I have some favourites from this era, as well as some others from more recent years.

If I had to choose only one it would be… Wait, only one you say? Tough choice but I think I would go for Froggies Over The Fence. Not because of some national pride but because it’s a huge megademo showing different styles - “classic” demo parts, an animated story, a Tetris-like game featuring the Jess tunes (I’m a huge fan!), an awesome high colour slideshow and a very long end scroller. Of course, there are tons of other demos I love.

  
As a guy without any artistic skills, I cannot imagine how you would create images like these!

Favourite demo group?

To me, a good group is formed by a bunch of friends who enjoy working together. Dead Hackers Society prove this with their many impressive demos and I am always amazed to see new effects from them, things we thought could not be done. Yet it is not my favourite demo crew, I don’t think I have one, to be honest.

I like the guys of Cream though, they seem to embody the true essence of a crew: each individual does something important, none is ahead, it’s a thing that could not be done without every member. It may sound silly, but this is how I feel this group works (and their latest demo Stresstest proves this perfectly).


Any funny demoparty tales?

Yeah, sure! The very first demoparty I attended was Place To Be again in 1994. I had no driver's licence so my father offered to drive me (+900kms) to the place! I was thrilled, like a kid on Christmas morning, being amongst the last of the great French demosceners. Guys like Dune, Holocaust, Niko/OXG, EXA…

I spent three sleepless days running all around the hall room and then went to get some rest on the compo night… only to eventually wake up the following morning! Yes, I had completely missed the compo! In the end, it was a mixture of joy and disappointment but undoubtedly a great memory :)

  
What personality and mindset must someone require to create such fascinating art!

Pick your favourite Atari ST year!

Again, I would choose 1994 because it was –in my humble opinion- a turning point in the Atari ST history: famous ST crews left for PC or even fewer for the Falcon, while I was only just starting my “scene” life. The ST demoscene died in 1994 and was reborn, even stronger, a few years later. The death of a generation and the birth of another one!


Are you STill doodling?

These days it’s a bit tricky to find time and motivation to work on things and I don’t even doodle that much on paper anymore. I have never been too fond of Art Studies so I missed the basics... I went back to pixelling in 2013 but I haven’t really been too productive and the few things I did, well, I don’t think anyone will remember them? I don’t own an Atari ST anymore (gosh, it tore my guts out to give it away!) yet even though I’m using Peecee, it’s only to run Steem and CrackArt. The only way I know is: 16 colours, STf palette, nothing more, nothing less.

  
From a tripped out colour-scheme to something that is bold and striking. Love 'em!!

Will you remaster any artwork?

I have never thought about reworking my Atari pics on the peecee. Firstly, because I like to paint on such limited retro hardware and within the STf limitations (I don't need STe palette). Secondly, because peecee is no fun, I don't ever want to mix Atari with peecee. Thirdly, I don't have the knowledge nor the will to do so. Basically, the answer is "no Steve" :-)


The future of the Atari ST?

Over the last 3 decades, I have claimed the demoscene to be dead more than once! Obviously, we probably cannot expect fresh blood from the younger generation and we are all growing older and have busy lives. However, there is still room for newcomers and I hope that people find some motivation to do something over the years. Big Atari events, be it Sillyventure or STNICCC (2032?) or God knows what else is needed. We are quiet but we are still here and for a long time!

You are invited to visit my blog: democyclopedia.wordpress.com or visit me on Twitter @stsurvivor.